The Culture Series of Iain M. Banks a Critical Introduction, by Simone Caroti
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The Culture Series of Iain M. Banks a Critical Introduction, by Simone Caroti

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This critical history of Iain M. Banks' Culture novels covers the series from its inception in the 1970s to the The Hydrogen Sonata (2012), published less than a year before Banks' death. It considers Banks' origins as a writer, the development of his politics and ethics, his struggles to become a published author, his eventual success with The Wasp Factory (1984) and the publication of the first Culture novel, Consider Phlebas (1987). His 1994 essay "A Few Notes on the Culture" is included, along with a range of critical responses to the 10 Culture books he published in his lifetime and a discussion of the series' status as utopian literature. Banks was a complex man, both in his everyday life and on the page. This work aims at understanding the Culture series not only as a fundamental contribution to science fiction but also as a product of its creator's responses to the turbulent times he lived in.
The Culture Series of Iain M. Banks a Critical Introduction, by Simone Caroti- Amazon Sales Rank: #1216975 in Books
- Published on: 2015-03-18
- Original language: English
- Number of items: 1
- Dimensions: 8.78" h x .51" w x 6.46" l, .0 pounds
- Binding: Paperback
- 252 pages
About the Author Simone Caroti is the course director of Science Fiction and Fantasy for the Creative Writing BFA at Full Sail University. He is a senior research scientist for the Astrosociology Research Institute (ARI), a nonprofit organization devoted to bringing the arts, humanities and social sciences into the debate on the future of humanity in space.

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17 of 18 people found the following review helpful. but I'm finding this retrospective on Iain's Culture novels quite good. I've read most By Ernest Lilley I'm only a few chapters in, so take this with a grain of salt, but I'm finding this retrospective on Iain's Culture novels quite good. I've read most, if not all of the Culture novels, and was very saddened by the author's death in 2013, so this book attracted me more than the usual academic treatment of a science fiction author does. Right off I discovered two things; First that Iain was someone I would have liked tremendously, full of fun and paradox, and, as I think Neal Gaiman says, "a good bloke." Secondly, that the Culture novels were an exploration of utopia, and not one of those utopias that's hell for other people, but one based on a reasonable society. That it's space opera that subverts the notion of right wing space opera, and that the conflict that the story needs to give it some backbone comes from the challenges the Culture receives from the other cultures it meddles with, and the self examination that this offers.I've enjoyed reading the novels, and now I'm enjoying the insight that Caori provides into what the Culture stands for and how Bank's thought. The central dilemma of the Culture, that doing the right thing is hard to do when "right" isn't proscribed by some apriori framework, is certainly relevant and resonant with me, and I hope many others. As the author of this critical work puts it, "We make our own meaning as we go, until we don't go anymore, because we all have to die, and our fury at the waning of the light ends in silence, like everything else; everything matters, and nothing does."Which seems to me to say that Banks wanted to find a way to reconcile the romantic and the rational in a way that would point out the possibility to the rest of us.As I said, I'm only partway in, but this work has already given me a better understanding of the books, and a clue as to why they've always seemed important as well as enjoyable. Now, back to our reading, already in progress.Ernest LilleyEditor Emeritus, SFRevu
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