Mountain of Daggers (Tales of the Black Raven Book 1), by Seth Skorkowsky
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Mountain of Daggers (Tales of the Black Raven Book 1), by Seth Skorkowsky
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One part James Bond, two parts Gray Mouser, Ahren the Black Raven fights demons, duels beautiful assassins, and steals the rarest of treasures, all while dodging an endless army of bounty hunters on his trail. Mountain of Daggers is the first collection of fantasy tales by DÄMOREN author, Seth Skorkowsky. SOME CALL HIM HERO. OTHERS, A MENACE. But everyone agrees that Ahren is the best thief in the world. Whether he’s breaking into an impregnable fortress, fighting pirates, or striking the final blow in political war, Ahren is the man for the job. After being framed for murder, his reward posters have named him The Black Raven. In order to survive, Ahren finds himself drafted into the Tyenee, a secret criminal organization whose influence stretches across the world. Their missions are the most daring and most dangerous, and the penalty for failure...is death. When no one else can do it, they send The Black Raven. MOUNTAIN OF DAGGERS is the first book in this collection of tales by Seth Skorkowsky, the author of DÄMOREN, book one of the best-selling Valducan urban fantasy series.
Mountain of Daggers (Tales of the Black Raven Book 1), by Seth Skorkowsky- Amazon Sales Rank: #154465 in eBooks
- Published on: 2015-03-08
- Released on: 2015-03-08
- Format: Kindle eBook
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5 of 5 people found the following review helpful. Get ready to root for the bad guy.... By Clay Sanger With Skorkowsky's 'Mountain of Daggers' we are treated to a collection of roguish stories that aren't afraid to cut and bloody their hands on the razor's edge between classic Sword and Sorcery and Outlaw Grimdark.'Mountain of Daggers' introduces us to the Black Raven. Some outlaws are blood-thirsty killers. Some are thuggish fighters. The Black Raven... is a thief -- lover of the chase and an old fashioned adrenaline junkie. Once you get to know the Black Raven, you realize he does these things, first and foremost, because he CAN. In a cutthroat world of ruthless criminals, killers, and outlaw power-brokers "Mountain of Daggers" follows the Black Raven through the opening acts of a journey that becomes as much for his soul and sanity as it is wealth, infamy, or the thrill of the hunt.Not without a capacity for ruthlessness, the Black Raven's sinister streak claws at the surface as his adventures in this game of outlaws turns bloody and personal. Veiled just behind a playful smirk is a man on the edge of becoming just as cold and brutal as any scoundrel he shares Skorkowsky's vivid criminal underworld with.If Ian Fleming had possessed a penchant for Sword and Sorcery rather than Walthers and Martinis, the Black Raven could have been hislove-child.Skorkowsky's fantasy world is crisply and meticulously realized in culture, concept, and style. Boasting exceptional atmospherics throughout, the environment of the fantastic locations - cities, ruins, tombs, estates, brothels, wine-soaked taverns, and the grim rotten underbelly of civilization - come alive in a narrative truly immerse of the five-senses.Punctuated by gritty outlaw-versus-outlaw capers and the most vividly narrated tales of a fantasy rogue's trade-craft I've ever read, 'Mountain of Daggers' keeps the spotlight burning bright on the concept of the master-thief and turns up the heat from beginning to end.If you are a lover of swashbuckling rogues and merciless outlaws - pick up a copy of Seth Skorkowsky's 'Mountain of Daggers' today... and get ready to root for the bad guy.
5 of 5 people found the following review helpful. Awesome traditional charming fantasy. Better than Damoren By Ryan I picked up this book on the strength of the Valducan series and Im so glad I did. Mountain of Daggers feels like it could have come straight from old school fantasy, with roguish charming thief, aligned to chaotic good, helping his guild manage the diection of nations through subterfuge, thievery, and other not strictly legal methods.Mountain of Daggers is a collection of short stories / episodes that come together to tell the origin story of Black Raven. We see a young man transition from unlucky whelp to supremely competent master of the shadows. I cant wait to see more of Black Raven
1 of 1 people found the following review helpful. I harbor a lifelong love of genre fiction and particularly the short story form By JRS Warning: spoiler in the last paragraph. I’ve put a marker on it, but thought I’d let you know.This book makes me nostalgic. I grew up feasting on the assorted short story anthologies available at my public and school libraries. As a result, I harbor a lifelong love of genre fiction and particularly the short story form. That being said, it isn’t merely nostalgia that helped me appreciate this collection.I love Mountain of Daggers because it aims for the sweet spot of adventure storytelling and hits it from a variety of angles. Sword and sorcery isn’t always the strongest genre for short fiction. It isn’t as established as horror or even scifi, and authors often tend write themselves out of ideas fairly quickly, replacing trailblazing in their fantasy worlds with formula. Skorkowsky could’ve easily followed this path since his stories not only take place in the same world, but are centered on the same character. (Not even a Fafhrd to Ahren’s Gray Mouser to shake up the POV.) Instead, he spices the exploits of the leading man with a wide assortment of intriguing backup characters, motives, and atmospheres. This, of course, is only possible because the stories, while chronological, are not chapters in a novel, but distinct and self-supporting delights.I especially like the way Ahren’s adventures dabble into other genre territory for flavor. Any tale about a thief will naturally tend toward detective story tropes, but the Black Raven encounters romance (“Race for the Night Ruby,” “Lover’s Quarrel”), spycraft (“The Reluctant Assassin,” “The Darclyian Circus”), and, in a standout closer, horror (“Born of Darkness”).Weakest link first: “Darclyian Circus” lost me for a bit. It still has the excellent details of a fantastic world, but the ambivalent closure of the one of its main tensions left me unsatisfied. Perhaps there were too many threads to weave for a short story. The Black Raven has a burglary to achieve supplemented by a cover story to keep hidden. He is hidden among innocents (for this world, anyway), hoping to achieve his goal without bloodshed. But the aforementioned innocents are by no means stupid, and the tension ratchets up with each page as I wondered how he could possible wriggle away with the burgled goal but no blood on his hands. Without saying too much, the tale ended with a hearty bang but also a dangling conflict which would have me believe Ahren is absolutely ruthless (a character point which disagrees with several of the other stories).The last story is the hook for me (as I’m sure it was intended). Each of the others establishes Ahren’s character by degrees: clever but not omniscient, mischievous but never unprofessional, ethical but not particularly moral (or the other way around, depending on what school you attended). But Born of Darkness raises one of the few overarching narrative lines and delivers a hammer-blow to the series. The tale almost immediately eschews the sword half of sword and sorcery for outright horror. Each ingredient is familiar yet detailed enough to be chilling: a fallen townsman trapped by a Faustian deal and unusually scarred by his experiences, a narrow and seldom-used track into the dark forest littered with spookiness, and finally, a villain whose very nature cements this story as a darker world within the already bleak realm of the Black Raven. Spoiler: Proving perhaps that Skorkowsky grew as a writer while finishing this book, while a certain lack of closure in “Darclyian Circus” confounded me, “Born of Darkness” is deliciously unresolved. This narrative ending is not only a hallmark of horror; it makes an effective cliffhanger leading to Book Two of the series. I’m only hoping that the author continues the serial-but-independent nature of the tales, instead of focusing only on what is admittedly as strong a foundational narrative conflict as I’ve read or watched in an adventure story.
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